This book of street rhymes and games is perfect for the child ages 6 to 10 who has outgrown Mother Goose and the nursery and graduated to the playground. Authors Joanna Cole and Stephanie Calmenson bring to life the verses that the modern generation spent chanting on the bus or skipping rope to as kids. Like Mother Goose, they come complete with a little controversy, too. You’ll hear about slapping your sister, k-i-s-s-i-n-g and seeing London, France and of course, underpants. Included here are rhymes that are coupled with hand clapping and ball bouncing. That’s no surprise since the same authors wrote: The Eentsy, Weentsy Spider Fingerplays and Action Rhymes (in the same format as this book) proving that physical activity and books are not mutually exclusive. The authors also include a lengthy bibliography for children who yearn for more.

After reading these folk tales from Latin America, children will never look at a weather vane in quite the same way. Poor Medio-Pollito’s selfish ways confined him there for eternity. The inclusion of all readers is quite evident in this book. Each tale contains “Something about the Story” where author Lucía González connects with the reader on a personal level or tells a little about the variations of each tale in different Latin American countries. Even the illustrator (Lulu Delacre) reaches out by painting in her own favorite recipe for Arroz con Pollo in the saga of “Juan Bobo and the Three-Legged Pot.” In addition, González defines words and phrases within the text and includes a pronunciation guide and definitions for unfamiliar Spanish words at the end of each legend. The illustrations add an authentic flair to the book in soft yet bold watercolors.

Only 55 words fill this book, yet when the reader is finished, she will have an understanding of what a caboose, tank car, hopper, cattle car, gondola car, box car, tender and engine look like. She will also learn about trestles, tunnels, bridges and color. She will see motion take place on a still page. This Caldecott Honor book from Donald Crews, like the companion book Inside Freight Train, Truck (which won the same award), Harbor, School Bus and others offer young children from 2 to 6 years of age a vivid vision of worlds both familiar and unfamiliar using language that is reinforcing and expansive.

Tomie de Paola may lack the true skills of a shepherd or garment manufacturer, but he makes up for it with the few, carefully chosen words he uses to enumerate the process of making a cloak. More so, his artistic talent does more to tell the story than his words. This story rides the fence between non-fiction and fictional picture book: It contains a whimsical lamb and playful mouse who entertain themselves and readers while Charlie works to shear, spin, weave and sew (all words defined in an end glossary). De Paola has been involved in the creation of over 150 books and has won numerous awards since this book was written, but it still stands out as a worthy read for children from 2 to 6 years of age.

What is a Yubbazubbie, anyway? Jack Prelutsky creates poetry here that ranges from outlandish and nonsensical to more realistic or at least practical: A year of practice or an iron rear will get you far when cactus-sitting, for example. References to bodily functions and noises abound that children will also enjoy. Irreverent and sometimes eschewing authority (“I wish my mother wouldn’t make so many useless rules”) this is for children 6 to 10 who love the rhyme and creativity of Dr. Seuss but who may be ready to leave him to a younger, more conformist crowd. That younger crowd may get some enjoyment from the verse here, but some concepts may be beyond their understanding or they may lack knowledge necessary to make the joke work – knowing what a bully is and that one is frequently perceived to be male or that being a horse’s rear is a stab at self-deprecating humor. Simple, yet expressive and humorous illustrations complement each poem.

A child falls from a Utopian planet onto a selfish, war-loving, greedy Earth. And that’s just the first page. This story manages to suspend throughout. Its science fiction undertones, however, should not be a deterrent for the young reader (8 to 12) who may not regularly be drawn to this genre. Beneath the U.F.O.s and supernatural powers, Alexander Key manages to take a small valley and create a microcosm of the world, replete with ethical dilemmas and characters representing good and evil. Like Key’s other books, the children and a few trusted adults are the heroes, open-minded and wise, while most of the remaining characters (especially those in authority) come across like backwards buffoons. The book may be nearly four decades old, but the message will still ring true for readers today.